Lyrics'a terrible beauty'
featuring Michael Alig
the
satori group
1.
Angel
in
vino veritas
in
vino veritas
Angel
in
vino veritas
Angel
Last
night they loved you opening some doors and pulling some strings, Angel
Last
night they loved you opening some doors and pulling some strings, Angel
Last
night they loved you opening some doors and pulling some strings, Angel
Don’t
let me hear you say life’s taking you nowhere, Angel
Last
night they loved you opening some doors and pulling some strings. Angel
Don’t
let me hear you say life’s taking you nowhere, Angel
The
word on the street
Angel
was stashing his money; when he had 100K he was bailing out
The
word on the street
People
would like... come to the apartment and like... go to the john and find
Angel , battered to a pulp in the bath...it was like, well, so many people
knew about it, it wasn’t real and the authorities just let Michael
walk...
There’s
a body in the box
Clipped
wings , torso
there’s
a body in the box
Hudson
River’s gonna flow
There’s
a body in the box,
only
Freeze and Michael know
there’s
a body in the box
From
Freeze’s hammer blow
Angel’s
in the box
A
case of quid pro quo?
bits
of Angel in the box
Alig’s
psycho Skrodle Show
Alig’s
psycho Skrodle Show
Alig’s
psycho Skrodle Show
Alig’s
psycho Skrodle Show
Angel
Angel’s
in the Box / Freeze and Michael know
Angel’s
in the box
Angel
was stashing his money; when he had 100K he was bailing out
People
would like... come to the apartment and like... go to the john and find
Angel , battered to a pulp in the bath...it was like, well, so many people
knew about it, it wasn’t real and the authorities just let Michael
walk...
2.
My
Miranda Rights (Robert 'Freeze' Riggs)
On
a Sunday in March of 1996 Michael Alig and Angel Melendez were loudly
arguing. Michael was yelling 'Help me! Get him off me!' Angel briefly
turned and said ' Stay out!'. Then he grabbed Michael and started shaking
him violently. I grabbed the hammer. So I hit him a third time and he went
down. Michael got on top of his chest and was strangling him. He then took
a pillow and put it over Angel's face. When I returned Michael was over
the body again and was pouring something from the bathroom, some cleaner
or chemical, into Angel's mouth. He then started wrapping tape around the
his mouth. He asked for the duct tape from the closet and said 'You have
to help me!' So I helped him finish wrapping tape around Angel's mouth.
Angel was undressed down to his underwear. Michael said 'help me put him
into the tub!' So we carried him to the tub and closed thew door. About
five to seven days later Michael and decided we had to do something about
this terrible mess. Michael told me that if I gave him ten bags of heroin
he would take of this part. So I did and he went into the bathroom alone,
and cut off both of Angel's legs. Michael put the whole bundle into a
large box. A few hours later we took the box into the elevator and out
through the main lobby into a yellow cab that happened to be right outside
the door. We took the body to around West Side Highway and 25th
Street. Then we threw the box onto the River.
He
was a…he was a copycat…he was one of those copycats that we hate, so
we killed him! I killed Angel…and…that's the kinda thing that gets me
into trouble…huh!
(featuring
Michael Alig)
3
& 6
Honey
Trap (Sticky Weaver Mix)
(Cops
Label Limelight A) Honey Trap
Honey
Trap, Honey Trap, Honey Trap, Honey
Trap,
Entice
you into my Honey Trap
Entice
you into my Honey Trap
Entice
you into my Honey Trap
Honey
Trap.
The
sweetest tasting symphony
I'll
suck you into my Honey Trap
2Gether
4Ever we shall be
I'll
suck you into my Honey Trap
I'll
take you places you've never been
I'll
suck you into my Honey Trap
I'll
show you things you've never seen
I'll
suck you into my Honey Trap
Honey
Trap, Honey Trap, Honey Trap,
Honey Trap,
Entice
you into my Honey Trap
Entice
you into my Honey Trap
Entice
you into my Honey Trap
Honey
Trap.
Let's
stick together, it's them or us
I'll
suck you into my Honey Trap
Night
or day we're fabulous
I'll
suck you into my Honey Trap
I'll
place the honey on the biter pill
And
suck you into my Honey Trap
Resist
me not, I'll break your will
And
suck you into my Honey Trap
Honey
Trap, Honey Trap, Honey Trap, Honey
Trap,
Entice
you into my Honey Trap
Entice
you into my Honey Trap
Entice
you into my Honey Trap
Honey
Trap.
(featuring
Michael Alig)
4.
Old
Skool
yes
you came from a mid-west town
and
yes you made the Old Skool frown
yes
you became the ascendant star
and
yes you pushed just a little too far
yes
the death of downtown came
and
yes with it your time for fame
yes
even Andy could not ignore
yes,
the New York Minotaur
yes
they loved you pulling some strings
yes
doors opened for your pretty young things
yes
you lived your Skrinkle Show
yes,
a decadent, sex tableau
yes
your night was very dark
and
yes you became their patriarch
yes
they followed full of hope
yes
you were kaleidoscope
YES
KIDS FLOCKED TO NEW YORK CITY
YES
KIDS CHANGED INTO SOMETHING PRETTY
YES
PG WOULD TURN HIS BACK
NO
MORE H, K, COKE OR CRACK
YES
KIDS LEARNED HOW TO PLAY
BUT
AFTER NIGHT...ALWAYS COMES THE DAY
yes,
post-modern, not unique
yes, situationist, stoned, oblique
yes,
a firefly, falling fast
yes,
in reality the die was cast
yes
you had it good for sure
no,
the night would not endure
yes
the parties would have to cease
no
more hiding from police
yes
your fall was clear to see
no
there was no mystery
no
the scene could not sustain
yes
the wreckage was yours to blame
YES
KIDS FLOCKED TO NEW YORK CITY
YES
KIDS CHANGED INTO SOMETHING PRETTY
YES
PG WOULD TURN HIS BACK
NO
MORE H. K , COKE OR CRACK
YES
THE KIDS LEARNED HOW TO PLAY
BUT
AFTER NIGHT...ALWAYS COMES THE DAY
yes
people said yes
yes
people said yes, people said yes
yes
people said yes, people said yes, people said yes
5.
BROTHER
The
last time I saw…was in February; I knew he was…wasn't around, so
I…beeped him, I beeped him, he didn't answer me, so I went to the police
to fill out a missing person's report; but they never took any attention
to me taking out a missing person's report, so right there I was like at
zero, they wouldn't investigate; so I investigated myself, I made flyers,
black and white flyers, and a $4000 reward if anybody'd seen him, so I
started showing people…..they said 'Yeah, I know him; I seen him in
Limelight/Lineout, something….' 'I saw him, so…|I know him' Do you
know where he is? 'No!' Nobody would say. It was like they didn't give a
damn…like, ugh…they just killed a mosquito or something…a roach or
something.
Nobody
thought they were doing anything wrong, I don't think; you know, you
judgement is blurred and you're, you know…reality is not…is not…I
mean you're not in reality…you're just not in reality…so, I…I…I
don't know!
I
spoke with Michael Alig. He didn't want to face me. He was like talking
and like facing this way and that way, and looking, you know, he didn't
want to look me in the eyes.
Me
and my brother…we look alike a lot…so I…right there I said…this
guy's guilty…he's not telling the truth.
(featuring
Johnny Melendez and Jenny Talia)
7.
gatien's
danse macabre
(instrumental)
8.
The
Epoch of Belief
It
was the best of times, it was the worst of times; it was the age of
wisdom, it was the age of foolishness; it was the epoch of belief, it was
the epoch of incredulity; it as the season of light, it was the season of
darkness; it was the spring of hope, it was the spring of despair; we had
everything before us, we had nothing before us; we were all going direct
to Heaven; we were all going direct the other way.
(featuring
Michael Alig)
Thank
you Charles Dickens
9.
The
Emergency Room
get
out of town
get
out of town
get
out of town
get
out of town
I tell
you man, you just gotta get out of town
you
know what I mean, it’s like
Michael’s
fucked up
he’s
lost it, I tell you
you
know Michael
hey
Freeze!
and
Angel’s just laying there
get
out of town
“you’d
go in and there’d be a doctor...you’d like, lie back on the bed and
they’d give you either a valium or a bump of Ketamine or coke and a
glass of wine, vodka, huh, whatever you wanted....ha ha ha...”
you
are my peace
you
are my time
you
are solace
you
are sublime
you
are my sight
you
are my calm
you
are tonight
you
are my charm
you
are my sun
you
are my song
you
are the one
you
are foregone
you
are my skin
you
are the day
you
are within
you’re
recherché
“
it’s much more hard-core and nihilistic...it’s like people are looking
for beauty in horror...you know what I mean...”
you
are the time
you
are the heart
you
are the line
you’ll
ne’er depart
you
are the bore
you
are the man
you
are hardcore
you
are woman
you
are lifeline
you
are the end
you
are the sign
you
are the friend
you
are madness
you
are my truth
you
are sadness
you
were my youth
“you’d
go in and there’d be a doctor...you’d like, lie back on the bed and
they’d give you either a valium or a bump of Ketamine or coke and a
glass of wine, vodka, whatever you wanted....ha ha ha...”
you
are my way
you
are my door
you
are blasé
you
are my whore
you
are supply
you
are suspect
you
are reply
you
are reject
you
are temple
you
are ego
you
are vessel
you’re
afterglow
you
are my thorn
you
are my light
you
are my dawn
you
are the fright
you
are my death
you
are the scream
you
are my breath
you
are the dream
you
are the balm
you
are my flame
you
are my psalm
you
are my shame
you
are my ease
you
are my voice
you
are the Freeze
you
are the choice
you
are caprice
you
are voyeur
you
are release
you
are demure
you
are my peace
you
are my time
you
are solace
you
are sublime
you
are lifeline
you
are the end
you
are the sign
you
are the friend
you
are madness
you
are my truth
you
are gladness
you
were my youth
you
are my skin
you
are my day
you
are within
you’re
recherché
Personnel
-
Words/Keyboards/Voice
– David M Lambert
-
Engineering/Mixing/Percussion/Keyboards
– Tommie Wincott
-
Guitar/Keyboards
– Dave King
All
tracks written and produced by Lambert/Wincott.
Except
3,4,5,6,9 – Lambert/Wincott/King
Track
9 – Wincott/Bolger
email
– thesatorigroup@michaelaligclubkids.com
Blueprint
Productions – P O Box 650, Lincoln LN1 1ZA, England, UK
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